Choose up to 8 free fabric samples from our online collections below
All our Exclusive fabrics are available to purchase by the metre, please contact your local showroom for more information.
All our Exclusive fabrics are available to purchase by the metre, please contact your local showroom for more information.
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EXCLUSIVE FABRICS - RHS COLLECTION
Designed by, or exclusive to Sofas & Stuff
, read more
A collage of watercolour studies of British native and other exotic plants by botanical artist Carol... read more
ine Maria Applebee, who was born in 1787. The daughter of an Essex rector, she lived most of her life in Colchester where she was a prominent member of the local Horticultural Society. Applebee died in 1854, leaving her flower books to a niece, and later acquired by the RHS.
Composition: 67% Viscose 33% Linen.
A collage of watercolour studies of British native and other exotic plants by botanical artist Caroline Maria Applebee, who was born in 1787. The daughter of an Essex rector, she lived most of her life in Colchester where she was a prominent member of the local Horticultural Society. Applebee died in 1854, leaving her flower books to a niece, and later acquired by the RHS.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and s... read more
wags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and s... read more
wags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and s... read more
wags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and s... read more
wags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and s... read more
wags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and s... read more
wags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and s... read more
wags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and s... read more
wags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and s... read more
wags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and s... read more
wags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy.
Composition: 67% Viscose 33% Linen.
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapb... read more
ooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapb... read more
ooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapb... read more
ooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapb... read more
ooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapb... read more
ooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapb... read more
ooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapb... read more
ooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapb... read more
ooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapb... read more
ooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911.
Composition: 67% Viscose 33% Linen
EXCLUSIVES
Exclusive designs created in-house or in partnership with respected fabric houses and some of the nation’s most renowned cultural organisations such as the V&A and the Royal Horticultural Society (RHS). These include our Cloth range designed by our founder, Andrew Cussins, exclusive plain and woven stripe linens, Floral Linens, the V&A Brompton Collection and the RHS Fabric Collection.
SIGNATURE
Elegant weaves and timeless prints in linens, wools and cotton bends, as well as designer velvets and ‘clever’ fabrics with advanced ‘Aqua Clean’ technology. This collection includes our curation of our favourite William Morris designs.
ESSENTIALS
Hard wearing and exceptional value fabrics suitable for a wide range of settings and situations.. You’ll find practical velvets, plain, striped and herringbone weaves in cotton, wool, linen, and synthetic blends in a wide range of neutral and pale shades, or deep and bold colours.
