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EXCLUSIVE FABRICS - RHS COLLECTION
Designed by, or exclusive to Sofas & Stuff
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William Hooker was a British illustrator of natural history, becoming the official artist of the RHS... read more
from 1815 until he stopped painting due to poor health from 1822. He was adept at depicting greenery, especially ‘pome’ fruits like apples, pears, and quince. A selection of his paintings of fruits and flowers feature in this naturalistic and graceful design, printed on a linen cotton blend. Suitable for all upholstery and soft furnishing purposes.
Composition: 65% Cotton 35% Linen
65% Cotton 35% Linen
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Little is known about Lydia Penrose, a skilled botanical artist from the early 19th century, whose p... read more
rivate works were donated to the RHS Lindley Collections. Her illustrations of Devonshire wild flowers, including honeysuckle, dog roses, and sprigs of blue and purple shrubs taken from the archive have been arranged and reproduced on 100% linen. Suitable for all upholstery and soft furnishing purposes.
Composition: 100% Linen
100% Linen
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Considered one of the greatest 20th century British botanical artists, Lilian Snelling was awarded t... read more
he Victoria Medal of Honour, the RHS’s highest award, in 1955, and was appointed MBE in 1954. A selection of her botanical watercolour paintings of bulbs and flowers have been collated from the RHS Lindley collections and artfully composed in a gently flowing design. Printed on 100% linen. Suitable for all soft furnishing projects.
Composition: 100% Linen
100% Linen
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Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden des... read more
igners, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects.
Composition: 65% Cotton 35% Linen
65% Cotton 35% Linen
read more
read more

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden des... read more
igners, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects.
Composition: 65% Cotton 35% Linen
65% Cotton 35% Linen
read more
read more

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden des... read more
igners, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects.
Composition: 65% Cotton 35% Linen
65% Cotton 35% Linen
read more
read more

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden des... read more
igners, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects.
Composition: 65% Cotton 35% Linen
65% Cotton 35% Linen
read more
read more

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden des... read more
igners, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects.
Composition: 65% Cotton 35% Linen
65% Cotton 35% Linen
read more
read more

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden des... read more
igners, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects.
Composition: 65% Cotton 35% Linen
65% Cotton 35% Linen
read more
read more

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leo... read more
nard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown.
Composition: 88% Cotton 12% Polyester
88% Cotton 12% Polyester
read more
read more

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leo... read more
nard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown.
Composition: 88% Cotton 12% Polyester
88% Cotton 12% Polyester
read more
read more

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leo... read more
nard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown.
Composition: 88% Cotton 12% Polyester
88% Cotton 12% Polyester
read more
read more

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leo... read more
nard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown.
Composition: 88% Cotton 12% Polyester
88% Cotton 12% Polyester
read more
read more

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leo... read more
nard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown.
Composition: 88% Cotton 12% Polyester
88% Cotton 12% Polyester
read more
read more

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leo... read more
nard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown.
Composition: 88% Cotton 12% Polyester
88% Cotton 12% Polyester
read more
read more

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced fro... read more
m ‘The orchard and
the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects.
Composition: 100% Linen
100% Linen
read more
read more

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced fro... read more
m ‘The orchard and
the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects.
Composition: 100% Linen
100% Linen
read more
read more

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced fro... read more
m ‘The orchard and
the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects.
Composition: 100% Linen
100% Linen
read more
read more

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced fro... read more
m ‘The orchard and
the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects.
Composition: 100% Linen
100% Linen
read more
read more

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced fro... read more
m ‘The orchard and
the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects.
Composition: 100% Linen
100% Linen
read more
read more

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced fro... read more
m ‘The orchard and
the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects.
Composition: 100% Linen
100% Linen
read more
read more