A collage of watercolour studies of British native and other exotic plants by botanical artist Caroline Maria Applebee, who was born in 1787. The daughter of an Essex rector, she lived most of her life in Colchester where she was a prominent member of the local Horticultural Society. Applebee died in 1854, leaving her flower books to a niece, and later acquired by the RHS. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

William Hooker was a British illustrator of natural history, becoming the official artist of the RHS from 1815 until he stopped painting due to poor health from 1822. He was adept at depicting greenery, especially ‘pome’ fruits like apples, pears, and quince. A selection of his paintings of fruits and flowers feature in this naturalistic and graceful design, printed on a linen cotton blend. Suitable for all upholstery and soft furnishing purposes. Composition: 65% Cotton 35% Linen

Little is known about Lydia Penrose, a skilled botanical artist from the early 19th century, whose private works were donated to the RHS Lindley Collections. Her illustrations of Devonshire wild flowers, including honeysuckle, dog roses, and sprigs of blue and purple shrubs taken from the archive have been arranged and reproduced on 100% linen. Suitable for all upholstery and soft furnishing purposes. Composition: 100% Linen

Considered one of the greatest 20th century British botanical artists, Lilian Snelling was awarded the Victoria Medal of Honour, the RHS’s highest award, in 1955, and was appointed MBE in 1954. A selection of her botanical watercolour paintings of bulbs and flowers have been collated from the RHS Lindley collections and artfully composed in a gently flowing design. Printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden designers, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects. Composition: 65% Cotton 35% Linen

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden designers, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects. Composition: 65% Cotton 35% Linen

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden designers, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects. Composition: 65% Cotton 35% Linen

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden designers, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects. Composition: 65% Cotton 35% Linen

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden designers, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects. Composition: 65% Cotton 35% Linen

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden designers, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects. Composition: 65% Cotton 35% Linen

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leonard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown. Composition: 88% Cotton 12% Polyester

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leonard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown. Composition: 88% Cotton 12% Polyester

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leonard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown. Composition: 88% Cotton 12% Polyester

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leonard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown. Composition: 88% Cotton 12% Polyester

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leonard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown. Composition: 88% Cotton 12% Polyester

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leonard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown. Composition: 88% Cotton 12% Polyester

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen