A collage of watercolour studies of British native and other exotic plants by botanical artist Caroline Maria Applebee, who was born in 1787. The daughter of an Essex rector, she lived most of her life in Colchester where she was a prominent member of the local Horticultural Society. Applebee died in 1854, leaving her flower books to a niece, and later acquired by the RHS. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A simple sketch by Gertrude Jekyll of a decorative architectural detail featuring Rococo busts and swags, lodged within a scrapbook and dated 1866, forms the basis of this sweeping design. The original tracing has been mirrored and repeated across the fabric and colourised in a manner reminiscent of a watercolour painting. The resulting design has a romantic feel, not unlike a Toile de Jouy. Composition: 67% Viscose 33% Linen.

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A geometric design taken from a small watercolour study found within one of Gertrude Jekyll’s scrapbooks in the RHS Lindley Collections. Though better known for her botanically inspired paintings, this little tessellating pattern indicates the breadth of Jekyll’s fascination with design. The date of the original is unknown but falls within the period 1866 -1911. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower. One of two fabric designs based on an undated ink drawing of a plant from a scrapbook of Gertrude Jekyll held within the RHS Lindley Collections. Jekyll’s graphical line drawing has been used simply but effectively in the manner of a woodblock print, creating a repeating pattern across the natural toned base cloth. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A charming botanical design, reminiscent of a cornflower, the second fabric created from Gertrude Jekyll’s ink drawing of a meadow plant is a reverse of the first. The design is revealed in the natural tone of the base cloth, against a printed coloured background. Composition: 67% Viscose 33% Linen

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A floral design for wallpaper by Gertrude Jekyll is the inspiration for this patterned fabric. The fluid design creates an almost stripe-like pattern down the fabric length. It has echoes of the Arts and Crafts movement, with which Jekyll had close ties. A monotone print on a natural toned ground. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

A companion to the larger trailing vine design, and based on the same wallpaper pattern painted by Jekyll in 1875. This version plays with scale, creating a more diminutive design and reverses the print of the original. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

Created from a design for a wallpaper pattern found within a sketchbook of Gertrude Jekyll, featuring tiny representations of mythical beasts. Monotone, in a palette of 10 colourways, with the design revealed against a coloured ground. The exact date of the composition is unknown. Composition: 67% Viscose 33% Linen.

William Hooker was a British illustrator of natural history, becoming the official artist of the RHS from 1815 until he stopped painting due to poor health from 1822. He was adept at depicting greenery, especially ‘pome’ fruits like apples, pears, and quince. A selection of his paintings of fruits and flowers feature in this naturalistic and graceful design, printed on a linen cotton blend. Suitable for all upholstery and soft furnishing purposes. Composition: 65% Cotton 35% Linen

Little is known about Lydia Penrose, a skilled botanical artist from the early 19th century, whose private works were donated to the RHS Lindley Collections. Her illustrations of Devonshire wild flowers, including honeysuckle, dog roses, and sprigs of blue and purple shrubs taken from the archive have been arranged and reproduced on 100% linen. Suitable for all upholstery and soft furnishing purposes. Composition: 100% Linen

Considered one of the greatest 20th century British botanical artists, Lilian Snelling was awarded the Victoria Medal of Honour, the RHS’s highest award, in 1955, and was appointed MBE in 1954. A selection of her botanical watercolour paintings of bulbs and flowers have been collated from the RHS Lindley collections and artfully composed in a gently flowing design. Printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden designers, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects. Composition: 65% Cotton 35% Linen

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden designers, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects. Composition: 65% Cotton 35% Linen

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden designers, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects. Composition: 65% Cotton 35% Linen

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden designers, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects. Composition: 65% Cotton 35% Linen

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden designers, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects. Composition: 65% Cotton 35% Linen

Gertrude Jekyll, artist, writer and one of the most talented and influential 20th century garden designers, renowned for her partnership with English architect Sir Edwin Lutyens, is celebrated in this fresh and timelessly romantic design. An enchanting original sketch of a floral and leafy spray by Jekyll is reproduced and repeated, creating a tumbling design across the fabric. Printed on Linen Cotton blend. Suitable for all soft furnishing projects. Composition: 65% Cotton 35% Linen

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leonard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown. Composition: 88% Cotton 12% Polyester

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leonard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown. Composition: 88% Cotton 12% Polyester

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leonard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown. Composition: 88% Cotton 12% Polyester

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leonard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown. Composition: 88% Cotton 12% Polyester

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leonard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown. Composition: 88% Cotton 12% Polyester

The knot garden design featured in this elegant fabric is taken from an engraved bedding plan by Leonard Meager from ’The English gardner’, published in London by M. Wotton and G. Conyers in 1688. The design is rooted in a soft, neutral ground and presented in six nature-inspired tones ranging from inky blue through a palette of soft greens through to warm ochre and brown. Composition: 88% Cotton 12% Polyester

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

The structure and symmetry of a large Tudor knot garden is reflected in this garden plan sourced from ‘The orchard and the garden’, printed by Adam Islip in London in 1602, and held in the archive of the RHS Lindley Collections. Positioned close to the house, these gardens were designed to be viewed from an upstairs window, the different coloured box planted in criss-crossing patterns imitating lines of stitching in embroidered textiles, tapestries or carpets, creating a link between the garden and the interior. Depicted in six nature-inspired tones and presented on a soft, neutral ground. Reproduced and printed on 100% linen. Suitable for all soft furnishing projects. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A simple all-over design depicting elongated and overlapping willow foliage originally taken from a printed textile, produced by Morris & Co. in the 1870s. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A simple all-over design depicting elongated and overlapping willow foliage originally taken from a printed textile, produced by Morris & Co. in the 1870s. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A simple all-over design depicting elongated and overlapping willow foliage originally taken from a printed textile, produced by Morris & Co. in the 1870s. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A simple all-over design depicting elongated and overlapping willow foliage originally taken from a printed textile, produced by Morris & Co. in the 1870s. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A simple all-over design depicting elongated and overlapping willow foliage originally taken from a printed textile, produced by Morris & Co. in the 1870s. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A simple all-over design depicting elongated and overlapping willow foliage originally taken from a printed textile, produced by Morris & Co. in the 1870s. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A simple all-over design depicting elongated and overlapping willow foliage originally taken from a printed textile, produced by Morris & Co. in the 1870s. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A simple all-over design depicting elongated and overlapping willow foliage originally taken from a printed textile, produced by Morris & Co. in the 1870s. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A simple all-over design depicting elongated and overlapping willow foliage originally taken from a printed textile, produced by Morris & Co. in the 1870s. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A simple all-over design depicting elongated and overlapping willow foliage originally taken from a printed textile, produced by Morris & Co. in the 1870s. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. This design, originally produced in 1885 by Thomas Wardle, William Morris’ master dyer and textile printer, includes woodland animals amid scrolling foliage. The original textile was used to decorate a book cover. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. This design, originally produced in 1885 by Thomas Wardle, William Morris’ master dyer and textile printer, includes woodland animals amid scrolling foliage. The original textile was used to decorate a book cover. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. This design, originally produced in 1885 by Thomas Wardle, William Morris’ master dyer and textile printer, includes woodland animals amid scrolling foliage. The original textile was used to decorate a book cover. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. This design, originally produced in 1885 by Thomas Wardle, William Morris’ master dyer and textile printer, includes woodland animals amid scrolling foliage. The original textile was used to decorate a book cover. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. This design, originally produced in 1885 by Thomas Wardle, William Morris’ master dyer and textile printer, includes woodland animals amid scrolling foliage. The original textile was used to decorate a book cover. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. This design, originally produced in 1885 by Thomas Wardle, William Morris’ master dyer and textile printer, includes woodland animals amid scrolling foliage. The original textile was used to decorate a book cover. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. This design, originally produced in 1885 by Thomas Wardle, William Morris’ master dyer and textile printer, includes woodland animals amid scrolling foliage. The original textile was used to decorate a book cover. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. This design, originally produced in 1885 by Thomas Wardle, William Morris’ master dyer and textile printer, includes woodland animals amid scrolling foliage. The original textile was used to decorate a book cover. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. This design, originally produced in 1885 by Thomas Wardle, William Morris’ master dyer and textile printer, includes woodland animals amid scrolling foliage. The original textile was used to decorate a book cover. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. This design, originally produced in 1885 by Thomas Wardle, William Morris’ master dyer and textile printer, includes woodland animals amid scrolling foliage. The original textile was used to decorate a book cover. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. An intricate and naturalistic pattern inspired by graceful willow branches, originally designed by Morris in 1887, reworked in modern shades. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. An intricate and naturalistic pattern inspired by graceful willow branches, originally designed by Morris in 1887, reworked in modern shades. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. An intricate and naturalistic pattern inspired by graceful willow branches, originally designed by Morris in 1887, reworked in modern shades. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. An intricate and naturalistic pattern inspired by graceful willow branches, originally designed by Morris in 1887, reworked in modern shades. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. An intricate and naturalistic pattern inspired by graceful willow branches, originally designed by Morris in 1887, reworked in modern shades. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. An intricate and naturalistic pattern inspired by graceful willow branches, originally designed by Morris in 1887, reworked in modern shades. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. An intricate and naturalistic pattern inspired by graceful willow branches, originally designed by Morris in 1887, reworked in modern shades. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. An intricate and naturalistic pattern inspired by graceful willow branches, originally designed by Morris in 1887, reworked in modern shades. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. An intricate and naturalistic pattern inspired by graceful willow branches, originally designed by Morris in 1887, reworked in modern shades. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. An intricate and naturalistic pattern inspired by graceful willow branches, originally designed by Morris in 1887, reworked in modern shades. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. The decorative print represents the legacy of the market gardens and fruit orchards that predate the development of the site in London South Kensington where the V&A now stands. Composition: 65% Cotton 35% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A captivating design of oak leaves and acorns, adapted by J.H Dearle from William Morris’ designs inspired by his time exploring Epping Forest and Essex countryside. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A captivating design of oak leaves and acorns, adapted by J.H Dearle from William Morris’ designs inspired by his time exploring Epping Forest and Essex countryside. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A captivating design of oak leaves and acorns, adapted by J.H Dearle from William Morris’ designs inspired by his time exploring Epping Forest and Essex countryside. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A captivating design of oak leaves and acorns, adapted by J.H Dearle from William Morris’ designs inspired by his time exploring Epping Forest and Essex countryside. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A captivating design of oak leaves and acorns, adapted by J.H Dearle from William Morris’ designs inspired by his time exploring Epping Forest and Essex countryside. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A captivating design of oak leaves and acorns, adapted by J.H Dearle from William Morris’ designs inspired by his time exploring Epping Forest and Essex countryside. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A captivating design of oak leaves and acorns, adapted by J.H Dearle from William Morris’ designs inspired by his time exploring Epping Forest and Essex countryside. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A captivating design of oak leaves and acorns, adapted by J.H Dearle from William Morris’ designs inspired by his time exploring Epping Forest and Essex countryside. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A captivating design of oak leaves and acorns, adapted by J.H Dearle from William Morris’ designs inspired by his time exploring Epping Forest and Essex countryside. Composition: 100% Linen

An assortment of designs inspired by the natural world, the Drawn from Nature collection by Sofas & Stuff presents a joyous mix of flora and fauna based on wallcoverings, textiles and illustrations from the world-renowned V&A archives. A captivating design of oak leaves and acorns, adapted by J.H Dearle from William Morris’ designs inspired by his time exploring Epping Forest and Essex countryside. Composition: 100% Linen

Inspired by a beautiful chintz bed-hanging, made in the south east region of India for the European market in the 18th century. The fantastical pattern is composed of enchanting birds with trailing tails and ornamental branches in flower reworked in modern shades. Composition: 65% Cotton 35% Linen

Inspired by a beautiful chintz bed-hanging, made in the south east region of India for the European market in the 18th century. The fantastical pattern is composed of enchanting birds with trailing tails and ornamental branches in flower reworked in modern shades. Composition: 65% Cotton 35% Linen

Inspired by a beautiful chintz bed-hanging, made in the south east region of India for the European market in the 18th century. The fantastical pattern is composed of enchanting birds with trailing tails and ornamental branches in flower reworked in modern shades. Composition: 65% Cotton 35% Linen

Inspired by a beautiful chintz bed-hanging, made in the south east region of India for the European market in the 18th century. The fantastical pattern is composed of enchanting birds with trailing tails and ornamental branches in flower reworked in modern shades. Composition: 65% Cotton 35% Linen

Based on a printed cotton from 1860–85. The arrangement of rambling flowers and foliage has a sense of movement and spontaneity. The stylised flower heads of this scrolling design are printed in striking coloured monochrome on a neutral ground. Composition: 65% Cotton 35% Linen

Based on a printed cotton from 1860–85. The arrangement of rambling flowers and foliage has a sense of movement and spontaneity. The stylised flower heads of this scrolling design are printed in striking coloured monochrome on a neutral ground. Composition: 65% Cotton 35% Linen

Based on a printed cotton from 1860–85. The arrangement of rambling flowers and foliage has a sense of movement and spontaneity. The stylised flower heads of this scrolling design are printed in striking coloured monochrome on a neutral ground. Composition: 65% Cotton 35% Linen

Based on a printed cotton from 1860–85. The arrangement of rambling flowers and foliage has a sense of movement and spontaneity. The stylised flower heads of this scrolling design are printed in striking coloured monochrome on a neutral ground. Composition: 65% Cotton 35% Linen

Based on a printed cotton from 1860–85. The arrangement of rambling flowers and foliage has a sense of movement and spontaneity. The stylised flower heads of this scrolling design are printed in striking coloured monochrome on a neutral ground. Composition: 65% Cotton 35% Linen

Based on a printed cotton from 1860–85. The arrangement of rambling flowers and foliage has a sense of movement and spontaneity. The stylised flower heads of this scrolling design are printed in striking coloured monochrome on a neutral ground. Composition: 65% Cotton 35% Linen

Based on a printed cotton from 1860–85. The arrangement of rambling flowers and foliage has a sense of movement and spontaneity. The stylised flower heads of this scrolling design are printed in striking coloured monochrome on a neutral ground. Composition: 65% Cotton 35% Linen

Based on a printed cotton from 1860–85. The arrangement of rambling flowers and foliage has a sense of movement and spontaneity. The stylised flower heads of this scrolling design are printed in striking coloured monochrome on a neutral ground. Composition: 65% Cotton 35% Linen

Based on a printed cotton from 1860–85. The arrangement of rambling flowers and foliage has a sense of movement and spontaneity. The stylised flower heads of this scrolling design are printed in striking coloured monochrome on a neutral ground. Composition: 65% Cotton 35% Linen

Based on a printed cotton from 1860–85. The arrangement of rambling flowers and foliage has a sense of movement and spontaneity. The stylised flower heads of this scrolling design are printed in striking coloured monochrome on a neutral ground. Composition: 65% Cotton 35% Linen

Attractive floral tree design with a block-printed look, inspired by a cotton textile produced about 1670–99. With a Dutch feel and refreshed in soft contemporary colourings, this floral pattern is named after the ornamental and extravagantly ruffled vegetation growing from the stylised tree of life. Composition: 65% Cotton 35% Linen

Attractive floral tree design with a block-printed look, inspired by a cotton textile produced about 1670–99. With a Dutch feel and refreshed in soft contemporary colourings, this floral pattern is named after the ornamental and extravagantly ruffled vegetation growing from the stylised tree of life. Composition: 65% Cotton 35% Linen

Attractive floral tree design with a block-printed look, inspired by a cotton textile produced about 1670–99. With a Dutch feel and refreshed in soft contemporary colourings, this floral pattern is named after the ornamental and extravagantly ruffled vegetation growing from the stylised tree of life. Composition: 65% Cotton 35% Linen

Attractive floral tree design with a block-printed look, inspired by a cotton textile produced about 1670–99. With a Dutch feel and refreshed in soft contemporary colourings, this floral pattern is named after the ornamental and extravagantly ruffled vegetation growing from the stylised tree of life. Composition: 65% Cotton 35% Linen

Attractive floral tree design with a block-printed look, inspired by a cotton textile produced about 1670–99. With a Dutch feel and refreshed in soft contemporary colourings, this floral pattern is named after the ornamental and extravagantly ruffled vegetation growing from the stylised tree of life. Composition: 65% Cotton 35% Linen

Attractive floral tree design with a block-printed look, inspired by a cotton textile produced about 1670–99. With a Dutch feel and refreshed in soft contemporary colourings, this floral pattern is named after the ornamental and extravagantly ruffled vegetation growing from the stylised tree of life. Composition: 65% Cotton 35% Linen

Attractive floral tree design with a block-printed look, inspired by a cotton textile produced about 1670–99. With a Dutch feel and refreshed in soft contemporary colourings, this floral pattern is named after the ornamental and extravagantly ruffled vegetation growing from the stylised tree of life. Composition: 65% Cotton 35% Linen

Attractive floral tree design with a block-printed look, inspired by a cotton textile produced about 1670–99. With a Dutch feel and refreshed in soft contemporary colourings, this floral pattern is named after the ornamental and extravagantly ruffled vegetation growing from the stylised tree of life. Composition: 65% Cotton 35% Linen

Attractive floral tree design with a block-printed look, inspired by a cotton textile produced about 1670–99. With a Dutch feel and refreshed in soft contemporary colourings, this floral pattern is named after the ornamental and extravagantly ruffled vegetation growing from the stylised tree of life. Composition: 65% Cotton 35% Linen

Attractive floral tree design with a block-printed look, inspired by a cotton textile produced about 1670–99. With a Dutch feel and refreshed in soft contemporary colourings, this floral pattern is named after the ornamental and extravagantly ruffled vegetation growing from the stylised tree of life. Composition: 65% Cotton 35% Linen

Broad stripe broken with horizontal bands, creating almost a check design. This elegant understated fabric resembles the time-honoured technique of ikat and is based on a furnishing fabric possibly made in France about 1790–1850. Presented in the harmonious and muted Sofas & Stuff colour palette. Composition: 65% Cotton 35% Linen

Broad stripe broken with horizontal bands, creating almost a check design. This elegant understated fabric resembles the time-honoured technique of ikat and is based on a furnishing fabric possibly made in France about 1790–1850. Presented in the harmonious and muted Sofas & Stuff colour palette. Composition: 65% Cotton 35% Linen

Broad stripe broken with horizontal bands, creating almost a check design. This elegant understated fabric resembles the time-honoured technique of ikat and is based on a furnishing fabric possibly made in France about 1790–1850. Presented in the harmonious and muted Sofas & Stuff colour palette. Composition: 65% Cotton 35% Linen

Broad stripe broken with horizontal bands, creating almost a check design. This elegant understated fabric resembles the time-honoured technique of ikat and is based on a furnishing fabric possibly made in France about 1790–1850. Presented in the harmonious and muted Sofas & Stuff colour palette. Composition: 65% Cotton 35% Linen

Broad stripe broken with horizontal bands, creating almost a check design. This elegant understated fabric resembles the time-honoured technique of ikat and is based on a furnishing fabric possibly made in France about 1790–1850. Presented in the harmonious and muted Sofas & Stuff colour palette. Composition: 65% Cotton 35% Linen

Broad stripe broken with horizontal bands, creating almost a check design. This elegant understated fabric resembles the time-honoured technique of ikat and is based on a furnishing fabric possibly made in France about 1790–1850. Presented in the harmonious and muted Sofas & Stuff colour palette. Composition: 65% Cotton 35% Linen

Broad stripe broken with horizontal bands, creating almost a check design. This elegant understated fabric resembles the time-honoured technique of ikat and is based on a furnishing fabric possibly made in France about 1790–1850. Presented in the harmonious and muted Sofas & Stuff colour palette. Composition: 65% Cotton 35% Linen

Broad stripe broken with horizontal bands, creating almost a check design. This elegant understated fabric resembles the time-honoured technique of ikat and is based on a furnishing fabric possibly made in France about 1790–1850. Presented in the harmonious and muted Sofas & Stuff colour palette. Composition: 65% Cotton 35% Linen

Broad stripe broken with horizontal bands, creating almost a check design. This elegant understated fabric resembles the time-honoured technique of ikat and is based on a furnishing fabric possibly made in France about 1790–1850. Presented in the harmonious and muted Sofas & Stuff colour palette. Composition: 65% Cotton 35% Linen

Broad stripe broken with horizontal bands, creating almost a check design. This elegant understated fabric resembles the time-honoured technique of ikat and is based on a furnishing fabric possibly made in France about 1790–1850. Presented in the harmonious and muted Sofas & Stuff colour palette. Composition: 65% Cotton 35% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

Create a statement with bold floral prints on the highest quality linen. Manufactured in Britain. Composition: 100% Linen

A wonderfully expressive collection of woven linen, cotton and wool blends, in an array of nature’s hues, textures and weights. Our Cloth 22 weaves are evocative of the great outdoors on the North American continent. North Cascades. A decorative small horizontal woven zigzag linen stripe, in earthy, muted colours, reminiscent of the conifer-clad wildernesses and the deep blue glaciers in the northern States. Composition: 100% Linen

A wonderfully expressive collection of woven linen, cotton and wool blends, in an array of nature’s hues, textures and weights. Our Cloth 22 weaves are evocative of the great outdoors on the North American continent. North Cascades. A decorative small horizontal woven zigzag linen stripe, in earthy, muted colours, reminiscent of the conifer-clad wildernesses and the deep blue glaciers in the northern States. Composition: 100% Linen

A wonderfully expressive collection of woven linen, cotton and wool blends, in an array of nature’s hues, textures and weights. Our Cloth 22 weaves are evocative of the great outdoors on the North American continent. North Cascades. A decorative small horizontal woven zigzag linen stripe, in earthy, muted colours, reminiscent of the conifer-clad wildernesses and the deep blue glaciers in the northern States. Composition: 100% Linen

A wonderfully expressive collection of woven linen, cotton and wool blends, in an array of nature’s hues, textures and weights. Our Cloth 22 weaves are evocative of the great outdoors on the North American continent. Bryce Canyon. An irregular geometric pattern woven in a natural background, evocative of the magic of the intricate rock formations (known as Hoodoos), in Utah's magnificent canyons. Composition: 40% Cotton, 17% Linen, 33% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Influenced by long walks in the West Sussex woods and West Wittering beach, our Cloth 21 collection draws upon motifs from nature and the printing style is inspired by the block printing of the 19th century. Composition: 88% Cotton 12% Polyester

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

Our in-house exclusive collection of three geometric inspired prints in pastel prints on a fine, natural linen base. Composition: 100% Linen

An intricate fabric design of entwined young willow stems and leaves created by William Morris in 1887. Composition: 53% Linen, 35% Cotton, 12% Nylon. Please note Willow Boughs Cream/ Pale Green is 100% Cotton

An intricate fabric design of entwined young willow stems and leaves created by William Morris in 1887. Composition: 53% Linen, 35% Cotton, 12% Nylon. Please note Willow Boughs Cream/ Pale Green is 100% Cotton

An intricate fabric design of entwined young willow stems and leaves created by William Morris in 1887. Composition: 53% Linen, 35% Cotton, 12% Nylon. Please note Willow Boughs Cream/ Pale Green is 100% Cotton

A much-loved design by William Morris in 1875. Featuring scrolling Acanthus foliage producing a three-dimensional effect. Available in two colourways: Woad and Leaf Green. Composition: 60% Linen, 30% Cotton,10% Nylon

A much-loved design by William Morris in 1875. Featuring scrolling Acanthus foliage producing a three-dimensional effect. Available in two colourways: Woad and Leaf Green. Composition: 60% Linen, 30% Cotton,10% Nylon

This fabric takes its name from the Snakehead Fritillary flower. A William Morris block print design from 1876. Composition: 49% Linen, 38% Cotton, 13% Nylon

This fabric takes its name from the Snakehead Fritillary flower. A William Morris block print design from 1876. Composition: 49% Linen, 38% Cotton, 13% Nylon

A hugely versatile small-scale design of intricate low growing elegant Hibiscus (mallow) flowers and leaves. Created by William Morris in 1879. Composition: 90% Cotton, 10% Linen

A hugely versatile small-scale design of intricate low growing elegant Hibiscus (mallow) flowers and leaves. Created by William Morris in 1879. Composition: 90% Cotton, 10% Linen

A hugely versatile small-scale design of intricate low growing elegant Hibiscus (mallow) flowers and leaves. Created by William Morris in 1879. Composition: 90% Cotton, 10% Linen

A stencilled floral fabric in muted colours designed by William Morris in 1875. Available in both pale and dark colourways. Composition: 49% Linen, 38% Cotton,13% Nylon

A stencilled floral fabric in muted colours designed by William Morris in 1875. Available in both pale and dark colourways. Composition: 49% Linen, 38% Cotton,13% Nylon

A stencilled floral fabric in muted colours designed by William Morris in 1875. Available in both pale and dark colourways. Composition: 49% Linen, 38% Cotton,13% Nylon

Harris Tweed is handwoven on a crofter’s pedal loom by islanders at their homes in The Outer Hebrides. Made using yarn that has been dyed, carded and spun in the Outer Hebrides using 100% virgin wool. Composition: 100% Wool

Harris Tweed is handwoven on a crofter’s pedal loom by islanders at their homes in The Outer Hebrides. Made using yarn that has been dyed, carded and spun in the Outer Hebrides using 100% virgin wool. Composition: 100% Wool

Harris Tweed is handwoven on a crofter’s pedal loom by islanders at their homes in The Outer Hebrides. Made using yarn that has been dyed, carded and spun in the Outer Hebrides using 100% virgin wool. Composition: 100% Wool

Harris Tweed is handwoven on a crofter’s pedal loom by islanders at their homes in The Outer Hebrides. Made using yarn that has been dyed, carded and spun in the Outer Hebrides using 100% virgin wool. Composition: 100% Wool

Harris Tweed is handwoven on a crofter’s pedal loom by islanders at their homes in The Outer Hebrides. Made using yarn that has been dyed, carded and spun in the Outer Hebrides using 100% virgin wool. Composition: 100% Wool

Harris Tweed is handwoven on a crofter’s pedal loom by islanders at their homes in The Outer Hebrides. Made using yarn that has been dyed, carded and spun in the Outer Hebrides using 100% virgin wool. Composition: 100% Wool

Harris Tweed is handwoven on a crofter’s pedal loom by islanders at their homes in The Outer Hebrides. Made using yarn that has been dyed, carded and spun in the Outer Hebrides using 100% virgin wool. Composition: 100% Wool

Harris Tweed is handwoven on a crofter’s pedal loom by islanders at their homes in The Outer Hebrides. Made using yarn that has been dyed, carded and spun in the Outer Hebrides using 100% virgin wool. Composition: 100% Wool